Main Activities

International Community Engagement Program

International Community Engagement Program (ICEP)


Cambodia: December 18-28, 2019

Tour members
MIDOIRI, violin
Photo:
T. Greenfield-Sanders

Midori, violin

The violinist Midori is a visionary artist, activist and educator whose unique career has been dedicated to exploring and building connections between music and the human experience. She is the founder of MUSIC SHARING, a not-for-profit organization based in Japan that also presents performances and interactive events in various Asian nations.

Since her debut with the New York Philharmonic at age 11, Midori has performed with most of the world’s great orchestras, while collaborating with renowned conductors such as Leonard Bernstein, Claudio Abbado, Zubin Mehta, Paavo Järvi, and Susanna Mälkki, among many others. She has shared stages with such instrumentalists as pianists Jean-Yves Thibaudet and Jonathan Biss, and the cellist Yo-Yo Ma. She has performed for the Pope, and has met royalty, presidents, prime ministers, and Secretaries General of the United Nations.

Midori’s recordings include a Grammy-winning disc of Hindemith’s Violin Concerto with Christoph Eschenbach conducting the NDR Symphony Orchestra and a two-CD set of J.S. Bach’s Sonatas and Partitas for Solo Violin. Her discography includes many recordings on the Sony Classical label.

An advocate for new music, Midori inspired Peter Eötvös to compose the violin concerto DoReMi, which she recorded with the Orchestre Philharmonique de Radio France, conducted by the composer. A recent project with present commissioned works by contemporary female composers from around the world, among other ground-breaking undertakings.

Midori has founded various nonprofit organizations in both the U.S. and Japan. These foundations seek to inspire and empower all kinds of people, some by providing instruction to young children, some by bringing highest quality performances to hospitals, institutions, and underserved communities. For such socially-conscious commitments, she has been named a United Nations Messenger of Peace, while in 2012 she received the Crystal Award from the World Economic Forum in Davos, Switzerland.

Midori is currently a member of the violin faculty at the Curtis Institute of Music, while regularly teaching in other institutions all around the world. Born in Osaka, Japan in 1971, Midori began her violin studies with her mother, Setsu Goto. Midori plays the 1734 Guarnerius del Gesù ‘ex-Huberman’.

http://www.gotomidori.com/

Elina Buksha, violin

Elina Buksha, violin

Winner of the 2012 Latvian Great Music Award, an honor for emerging musicians, Elina Buksha is considered one of her nation’s leading violinists.

Elina has been described by The Strad Magazine as having “capacity for fantasy and storytelling,” and being “highly persuasive in technical agility and individuality”. She has performed in such festivals as the Festival de Wallonie (Belgium), the International Music Festival in Yaroslavl (directed by Yuri Bashmet), Rheingau Musik Festival (Germany), Rencontres Musicales d’Évian (France), and the Marvao International Music Festival, among others.

As a soloist, Elina has performed with many orchestras, including I Virtuosi del Teatro alla Scala, the Latvian National Symphony Orchestra, Sinfonietta Riga, Sinfonia Varsovia, the Orchestre Philharmonique Royal de Liège, Tatarstan National Symphony Orchestra, Südwestdeutsche Philharmonie Konstanz, Musica Viva Chamber Orchestra, Moscow, and the Kansai Philharmonic Orchestra (Japan). Elina has performed alongside such artists as Maria João Pires, Midori, Augustin Dumay, Frank Braley, Gary Hoffman, Henri Demarquette, Gérard Caussé, Roby Lakatos, the Modigliani Quartet, Calidore String Quartet, and others.

Elina began playing the violin at the age of five, advancing to studies at Belgium’s Queen Elisabeth Music Chapel under the direction of Augustin Dumay. In 2017 she began studying with Christoph Poppen at the Hochschule für Musik und Theater München. She is also trained privately by the renowned violinist Midori. She has recorded Saint-Saëns and Lalo violin concerti for the Alpha label.

Elina Buksha plays a 1723 Domenico Montagnana violin, on loan to her by the Queen Elisabeth Music Chapel.

https://musicchapel.org/elina-buksha/

Erika Gray, viola

Erika Gray, viola

Erika Gray is a violist who has performed extensively in the US, as well as in Russia, England, Japan, Australia, Poland, Germany, and Switzerland. Her awards include the Gold Medal in the Fischoff National Chamber Music Competition and Second Place in the Salomé Young Artists Competition. She competed in the quarter-finals and semi-finals of the 2018 Primrose International Viola Competition. She is a laureate of the 2015 Stulberg International String Competition and was the 4th prize winner at the Irving M. Klein International String Competition.

Originally from Wilmette, Illinois, Erika was a featured soloist in the Chicago Symphony Orchestra’s performances of Richard Strauss’s Don Quixote in February 2017. She has been heard in solo performance on National Public Radio's From the Top series, and has appeared at the BBC Proms with the National Youth Orchestra and in Suntory Hall in Tokyo under the auspices of the Pacific Music Festival. She performed in Carnegie Hall with the National Symphony Orchestra, the Curtis Symphony Orchestra, and the New York String Orchestra Seminar. Erika has also attended Swtizerland’s Verbier Academy, the Kneisel Hall chamber music festival, and the Music From Angel Fire chamber program.

Erika Gray is a graduate of the Curtis Institute of Music, where she studied with Roberto Díaz and Hsin-Yun Huang. She rose to the position of principal violist of Curtis Symphony Orchestra, having previously toured Europe with the orchestra as assistant principal. She held the Gerry and Marguerite Lenfest Fellowship. She is also a substitute violist with the Philadelphia Orchestra, and enjoyed a Midwest tour with them this past fall.

https://www.fromthetop.org/musician/erika-gray/

Noémie Raymond-Friset, cello

Noémie Raymond-Friset, cello

Noémie Raymond-Friset has been named by CBC Music as one of the “30 Hot Canadian Classical Musicians Under 30.” She was one of the top prizewinners at the Edwin H. & Leigh W. Schadt String Competition, the WAMSO Young Artist Competition, and at Stepping Stone, the competition of Concours de musique du Canada.

At the Prix de Europe, Noémie was awarded the Beatrice Kennedy-Bourbeau Award in 2014 (for Best Interpretation of a Work), and the Guy Soucie Award in 2017. She was also awarded First Prize at the 2016 “Grand Prize Virtuoso” International Music Competition of England, leading to her debut at London’s Royal Albert Hall. In addition, she was awarded a professional development grant by the Canada Council for the Arts and was a laureate of the Council’s 2015 Musical Instrument Bank Competition.

Ms. Raymond-Friset is Artistic Director of the Eastman Cello Ensemble. She has been a regular participant in tours of the Heifetz International Music Institute, her performances often heard on Performance Today, the popular American radio series. She has participated in the XVIII Chamber Music Festival in Lima, Peru, while her Canadian performances include recitals at the Festival International de Launaudière, Les Concerts de La Chapelle, and the Oxford International Music Festival.

Noémie Raymond-Friset has performed as a soloist with a wide variety of orchestras, one highlight being her performance of the solo cello part in Vivaldi’s Concerto for Four Violins and Cello with the National Arts Center Orchestra, led by Pinchas Zukerman, the maestro playing the first violin part. She has participated in many high profile master classes, including one with Yo-Yo Ma at Montréal’s Salle Claude-Champagne. She was awarded a Graduate Diploma from the New England Conservatory of Music and a Master of Music degree from the Université de Montréal. She is currently pursuing a Doctorate of Musical Arts at the Eastman School of Music. Noemie performs on the “ex-Curtis” cello made by Matteo Goffriller 1700, on loan to her by Canimex Inc.

http://noemieraymondfriset.ca/

2019 Cambodia & 2020 Japan

The Result of the Final Round of the ICEP Audition

Winners:

[ Violin ]
Elina Buksha

[ Viola ]
Erika Gray

[ Cello ]
Noémie Raymond

 

Alternates:

[ Violin ]
Yuliia Van

[ Viola ]
Lara Albesano

[ Cello ]
Audrey Chen

Guidelines for Quartet Member Applicants

Application Overview
‘ Positions
1 Violinist, 1 Violist, 1 Cellist, plus alternates

‘ ICEP Activity Period
Quartet members are required to participate in the entire schedule, as follows:
Period Location Activities
Dec.18 to 28,
2019
(projected
dates)
Cambodia Assembly, rehearsal (Rehearsal may also be outside of Cambodia)
Various events, performances and presentations to include those at educational institutions and other facilities for children, the disabled and the aged for the purpose of promoting global friendship and cultural exchange
June 2 to 20,
2020
(projected
dates)
Japan

Assembly, rehearsal (Rehearsal may also be outside of Japan)

Various events, performances and presentations to include those at schools, hospitals and other facilities for a diverse population
Public performances for the purpose of reporting to the community engagement activities in Cambodia

End of Japan period - Dismissal

‘ Eligibility
  • Young musicians between 20 and 30 years old, as of December 1, 2019, with a strong interest in community engagement activities.
  • Applicants must have no health, philosophical or nationality issues that would prevent them from performing in Cambodia and Japan.
  • Ability to communicate in English.
  • Musicians who have successfully auditioned and participated in two previous ICEP cycles are not eligible to apply.

‘ Compensation
There is no honorarium for performances. However, the following expenses will be covered by MUSIC SHARING:
  • Transportation Expenses
    • simple round trip between current residence and Cambodia (in December)
    • simple round trip between current residence and Japan (in June)
    • internal travel related to program activities within Cambodia and Japan
  • Single-entry visa application fee for entry into Cambodia and Japan
  • Accommodation during ICEP activities Note: Accommodation will be arranged by MUSIC SHARING.
  • Living support to be utilized toward meal expenses
  • Travel insurance between current residence and Cambodia (in December), and between current residence and Japan (in June). Participants are responsible for obtaining the necessary travel insurance, which will be reimbursed, in full or in part, by MUSIC SHARING.

‘ Expenses to be Covered by Participant

  • Obtaining or renewing passport
  • Musical instrument insurance
  • Immunization, as necessary
    Participants are required to obtain necessary immunization to enter Cambodia and Japan, after consulting their own doctors. Required immunization costs specific only to Cambodia will be compensated by MUSIC SHARING.
  • Personal communication costs (i.e. telephone, internet)
  • Room service and cleaning costs during the activity period
  • All other personal expenses
  • MUSIC SHARING bears no responsibility for lost, stolen or forgotten items belonging to participants during the activity period.

‘ Application Process
The online application can be completed at
http://www.musicsharing.jp/activity/icep/icep2019/.

The first stage is based on the online application and recordings. Recordings should be made after January 1, 2018, and must be uploaded to YouTube with privacy setting "unlisted" or "public" by the deadline.

The second stage of the audition includes a video interview.

The final selection will be made based on all submitted materials.

Please provide your e-mail address and phone numbers at which you expect to be reachable during the first and second selection periods (July and August, 2019) in the event that the committee has further questions.

For those who have successfully auditioned and participated in a previous ICEP in or after 2015, it is not necessary to submit recommendation letters, essay or biography. Required recordings, however, must be submitted. These can be the same recordings as were submitted previously or new recordings. If the previously submitted recordings were made prior to January 2018, it is highly recommended that the applicant submit newer materials. Applicants in this category should please contact the MUSIC SHARING ICEP Audition Coordinator (E-mail : musicsharing.icep@gmail.com) for more details.

‘ Result
The result of the application process will be sent to the applicants via e-mail by August 15, 2019.

‘ Other Notes
  • Applicants must reply to e-mail correspondences promptly.
  • MUSIC SHARING will not respond to inquiries related to the audition results.
  • MUSIC SHARING reserves the right to change the destination country in the event of a natural disaster, change in political conditions, or for any other reason.
  • This program is different from a usual concert tour. Please assume that the schedule will be intense with little or no flexibility, and that it requires extensive travel because of unpredictable weather and traffic conditions.
  • There can be no allowances for changes in the schedule for personal reasons during the activity period.
  • Participants may not be accompanied by family members or friends.
  • MUSIC SHARING holds unlimited rights to the following, for use in connection with its PR activities:
    • Recording, filming and videotaping;
    • Transmission and broadcast of the recorded materials;
    • Copying and dissemination of the materials

Application Procedure
‘ Submission of Materials
Please follow the online application instructions for submitting necessary materials.
Applicant Information
Application Please use the online application found at:
http://www.musicsharing.jp/activity/icep/icep2019/

Attachments
1) Two letters of
recommendation

Letters from established musicians (i.e. current or previous teachers); no specific format is required. Letters may be sent directly via e-mail from the recommender to musicsharing.icep@gmail.com by the deadline.

2) Proof of age i.e. Copy of passport or driver’s license
3) Biography or CV Approximately 1 page
4) Letter of intent 1 page (A4 size or U.S. letter size)
5) Essay

1 page (A4 size or U.S. letter size)
Topic: “Meaning of Music in Contemporary Society”

Recordings
  • * Recording should be made after January 1, 2018. Please upload to YouTube with the privacy setting “unlisted” or “public”. Do not set as “private.”
  • * Edited recordings are not accepted for audition.
  • * At least one of the categories must be in a video format. Entire submission in a video format is strongly recommended.
1) Solo

Two contrasting movements from one of J.S. Bach’s

unaccompanied works
2) Duo with piano Two contrasting movements from a standard sonata
3) String ensemble Two contrasting movements from a standard string trio, string quartet, string quintet, or string sextet; piano trio, piano quartet, or piano quintet. If applicable, the applicant must be playing the first, not second, part.
4) Piece of your choice Duration: 10 minutes or less
E Please contact the office (see details below) if you are unable to upload your material to YouTube.
E The applicant’s information, attached documents and recordings will be used solely for the purpose of this audition.

‘ Application Deadline
The completed application form with appropriate attachments and activated links for the upload must be received by MUSIC SHARING no later than 5:00 pm (Japan time) on Monday, July 1, 2019.  Please include the URL of the download site in your application form.

‘ Contact Information
Non Profit Organization MUSIC SHARING
Unit 708, 2-12 Hayabusa-cho, Chiyoda-ku, Tokyo 102-0092, Japan
Phone: +81-3-3261-1855
Email: musicsharing.icep@gmail.com

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